The works of Italian painter, Giotto di Bondone, were considered key to historic changes in the definition and construction of space in a (painted) image or picture. If the visual artist, Tomáš Svoboda, has a relationship to the latter through his new videos seven centuries on, he hasn’t done so only because of three fleeting, if in no case accidental, references to the artist’s name. Mainly, it is so, due to the idea of a change in approach defining a radically different “perspective.” Through his skeptical stance on overcoming deeply engrained thought patterns and limits in the defining language, this change cannot of course play itself out thanks to us humans; no, it has to come from somewhere else. Giotto’s exhibition therefore takes shape in conceptual, low-tech sci-fi that relates not only to the boundaries of human knowledge, but also to the role of art in the eventual surpassing of said boundaries.
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