In recent years photographer, Kateřina Držková (1978), has devoted her time to interpretation of found photographs and analyses of mass-printed postcards from tourist destinations. In her new collection for Fotograf Gallery she takes on a field not secured by a conceptual framework, “work with archives”, and frees up her comparative processes to the level of associative and aesthetic chaining. The result is systems of fragile bonds between mutually reflecting duos and trios of images.
Jiří Ptáček
